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Recording Projects

Ana María Otamendi has released five albums with her chamber ensemble, the Reverón Piano Trio, her duo partner Ashley Hall, soprano Jennifer Olson and bassoonist Darrel Hale with works by William Winstead. She then will release a recording with Grammy Award winner Cecilia Duarte, and another album with the Reverón Piano Trio and IBS Classical in Spain. This exciting project features works by women: Amy Beach, Mel Bonis, Fanny Hensel, and Teresa Carreño. All of these upcoming albums will be released in 2026.

Explore Ana María's past releases and their press coverage below, and visit her schedule for details about upcoming recording projects.

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Imaginario Latinoamericano (2026)

Reverón Piano Trio (2026): Urtext Digital Classics

Imaginario Latinoamericano brings together three key works from the recent repertoire for piano trio, all of them written by prominent Latin American composers:

La Hamaca (2022) – Ricardo Lorenz (Venezuela/USA)

A deeply nostalgic work inspired by the homonymous painting by Armando Reverón. Lorenz evokes Venezuelan memory through polyphonic textures, hypnotic atmospheres and rhythmic gestures that refer to the bagpipes and the Afro-Venezuelan repertoire. It is a sound portrait of identity and memory.

Trio op. 30 (2013) – Eduardo Alonso-Crespo (Argentina)

With an unmistakable South American profile and nods to tango, this work adopts the structure of a classic trio hidden within a single movement. Expressive melodies, vigorous contrasts and a unified architecture make this piece an essential contribution to the contemporary Argentine repertoire.

Barroqueada (2020) – Miguel del Águila (Uruguay/USA)

A vibrant suite of eight movements that reimagines the baroque suite from a current Latin American language. Del Águila fuses pavanas, sarabandas and jigas with candombe, milonga, samba and tango, in a fresh, theatrical and rhythmically fast-paced work.


An album that expands the Latin American musical map

With this launch, the Reverón Trio reaffirms its mission to: rediscover and disseminate Latin American repertoire, commission and premiere new works, record and document contemporary compositions, and bring the public closer to sounds that are little represented in the international chamber music scene.

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UPCYCLE (2O24)

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UPCYCLE (2024): Rezurrection Recordz & Maple Rise Music. Ashley Hall-Tighe, trumpet. Ana María Otamendi, piano.

Upcycle is the debut album from trumpet soloist Ashley Hall-Tighe and collaborative pianist Ana María Otamendi. This collection of transcriptions for trumpet and piano by Nathaniel Tighe honors the artists’ classical roots while presenting a vision of what might have been possible if the modern trumpet was a solo instrument at the time these works were conceived. A diverse reimagining of compositions by Bach, Sammartini, Tailleferre, Albeniz, Rachmaninoff, Clara Schumann, Sibelius, Grieg and Chopin, Upcycle showcases the substantial artistry and virtuosity of both performers and highlights the broad range of colors that are possible from this instrumental combination.

 

“Trumpeter Ashley Hall-Tighe plays with a winning blend of warmth and steel, beautifully accompanied by pianist Ana María Otamendi in arrangements made by Hall-Tighe’s husband.”

The Arts Desk

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Reverón Piano Trio (2023)

Reverón Piano Trio (2023): IBS Classical. Ibero-American Piano Trios: Heitor Villa-Lobos, Joaquín Turina, & Manuel Ponce.

Winner of the Melómano de Oro (Award given by Spain's most prestigious Classical Music Magazine)

"Reverón has a rich and ingratiating sound, and their willingness to look for unconventional repertoire has made them endearing to me. ... I have already remarked about the better impression I had of the Villa-Lobos because of the Reverón’s performance, and that flair and passion comes across in the other works as well. The recording is good, and the notes are excellent."

 American Record Guide

"These three very fine works deserve to be better known, and these passionate performances by the Reverón Piano Trio cannot help but spread the word."

Music Web International

"El Trío Reveron, compuesto por tres brillantes intérpretes venezolanos que viven en USA, allí siguen una magnífica carrera educativa e interpretativa, jóvenes con un futuro musical prometedor. Piezas muy demandantes y de excepcional ejecución. Grabado en agosto de 2021 en la cálida Granada, Auditorio Manuel de Falla, brillante producción y sonido."

Doce Notas Revista Musical

"A new volume from IBS Classical, highly recommended for the quality of its content. The label has us accustomed to a kind of Midas effect... The sound of all the performers, led by the sensitive and precise pianism of Ana María Otamendi, is of excellent quality, organic and true, as befits a high-class interpretation."

Melómano La Revista de Música Clásica

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CANTOS Y CUENTOS (2022)

Cantos y Cuentos (2022): Centaur Records. Latin American music. Jennifer Olson, soprano. Ana María Otamendi, piano.

"Both performers are enchanting; their love of this repertoire is contagious. Not only are they and the music first-rate, but so is the sound: warm, clear, and natural. The entire program left me wanting more."

American Record Guide

"The pianist is very effective and rhythmically alert in all the songs, but notably so in “La tunda para el negrito.” ... Together with pianist Ana Maria Otamendi, the two artists certainly catch the flavor. For those interested in Latin-American song, snap up these rarities."

Fanfarre Magazine

GLOBAL TAPESTRY (2018)

Global Tapestry (2018): Soundset Records. New works for clarinet and piano. Cecilia Kang, clarinet. Ana María Otamendi, piano.

"Kang and Otamendi do a wonderful job of trading voices and creating an intense yet playful energy. The ensemble shows great clarity and rhythmic stability throughout this performance. ... Canadian-born composer Robert Rival’s “Lake” from Sonata Muskoka is another of the four world- premiere recordings on this compact disc. Ana Maria [sic] Otamendi beautifully crafts the opening few bars as she creates a wonderful atmosphere that evokes placid imagery."

Robert DiLutis for Clarinet Magazine

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